11. 2025 Announcement

 Exhibition Announcement


Edging the Unscratchable Digital Itch
29 October - 29 November 2025
InterAccess, Toronto, Canada

We live with a restless discomfort just under the skin—an itch that keeps the thumb scrolling, the eye refreshing, the body performing. Edging the Unscratchable Digital Itch frames that feeling as the trace of a system built upon the attention economy, exploiting our attention by promising relief it cannot deliver. Anchored by Byung-Chul Han’s “aesthetic of the smooth” and Lauren Berlant’s “cruel optimism”, the exhibition reads today’s digital feeds—mukbangs, thirst traps, frictionless shorts—as surfaces engineered for instant legibility and circulation. Smoothness gratifies on contact but withholds depth; optimism binds us to visibility and arrival that platforms continually defer. Six new media artists offer tactics that edge rather than scratch: veiling vision with abstraction, slowing information exchange, staging conditional performance, challenging reward loops, misusing technical tools, and stretching AI’s generative flatness into durational inquiry. Almost counterintuitive to our consumer habit, 2025 IA Current Curator Lingxiang Wu invites us to interrupt fast consumption by sitting with these artworks and with ourselves. Click here for more information.


Displaced Nostalgia: Itch
2025 AI Current Closing Performance
11am-6pm, 6 December 2025 (Sat)
InterAccess, Toronto, Canada

To edge is to leave the itching body behind In this performance, no phones are permitted. No watches. Performers do not talk to each other. With every feeling of an hour passing, JeeMin begins her labour, which prompts Sheung-King to write. At the end of his writing, he leaves a prompt for the audience to respond to. Between each feeling of an hour, performers rest. Viewers are invited to attend the performance at any time throughout the 7-hour runtime. Movement occurs roughly once every hour, roughly on the hour. Between these times, viewers are invited to participate in the live writing prompt or the act of waiting. This performance is presented as part of the 24th Annual IA Current Exhibition, Edging the Unscratchable Digital Itch, curated by Lingxiang Wu, and alongside "Narratives to Contextualize Feelings", a conversation with the performers held at Munk School of Global Affairs & Public Policy on December 3 from 2 – 4PM. Click here fo register.


11. 2025 Announcement

 Public Talk


Narratives to Contextualize Feelings: Conversations with author & artist Sheung-King/JeeMin Kim
2pm, 03 December 2025
Room 208, North House, 1 Devonshire Place, Toronto, ON, M5S 3K7

The first half of this talk will feature the author discussing the novel’s ability to capture the social and political effects of place. The second half of the talk will focus on performance. Presented in Seoul, Hong Kong and now Toronto, JeeMin Kim and Sheung-King’s interdisciplinary art project Displaced Nostalgia  uses multiple media: performance, writing, and installation, to create time spaces where audiences can begin to articulate feelings of displacement.

 

Throughout this talk, the author will invite the audience to respond to writing prompts, an integral part of how his characters communicate with one another in his novels, as well as how JeeMin and Sheung-King engage with audiences during their performances. The event will conclude with a conversation between the audience and the creators of Displaced Nostalgia, JeeMin Kim and Sheung-King, who will be performing at Inter/Access on December 6th, 2025, from 11 a.m. to 6 p.m. Click here to register.

10. 2025 Announcement

 Solo Exhibition Announcement


Exhibition poster, <Prototype Temple: We Shall Rest>(2025)

JeeMin Kim, «Prototype Temple :  We Shall Rest»

김지민 개인전 «프로토타입 템플: 우린 쉬게 될 거예요»

25 October - 22 November 2025

Sewoon Hall, Seoul, Korea


Supported by Seoul Foundation of Arts and Culture


<Prototype Temple: We Shall Rest> is a sequel to <Prototype Temple: 6ft Under_Valley>(2022), telling the story of ancient voyagers — and ourselves — arriving at an island. The exhibition space functions as an island itself, prompting questions of whether we can find complete repose there, whether we shall, at last, rest. Click here for more information.



10. 2025 Announcement

 Art Fair


T3 Photo Asia
10 October - 13 October 2025
Midtown Yaesu, Tokyo, Japan

The second edition of T3 Photo Asia will be held this year at Tokyo Midtown Yaesu. Sahng-up Gallery will participate with Area Park, JeeMin Kim and Jungmee Yoon. The VIP opening will take place on the 10th.Click here for more information

09. 2025 Announcement

 Exhibition Announcement

Black Point
4 September - 15 September 2025
BUG, Tokyo, Japan

Organised by. Arts Management Service / Sahng-up Gallery
Supported by. BUG

BUG in Tokyo and Sahng-up Gallery will present a Korea–Japan exchange exhibition featuring five artists: Area Park, JeeMin Kim, Sun Choi, Sungjin Jung, and Yongkook JeongClick here for more information.

08. 2025 Announcement

 Exhibition Announcement



Poetic Forensic
27 Auguest - 27 September 2025
Sahng-up Gallery Euljiro, Sewoon Hall, Seoul, Korea

Hosted by. Korea Arts Management Service
Organised by. Sahng-up Gallery

08. 2025 Announcement

 Exhibition Announcement


Special Exhibition of Outstanding Artists 2025, DIALOGUE: Unread

24 August - 15 September 2025

Hwigyumjae, 46-1 Bukchon-ro, Jongno District, Seoul, Korea


Hosted by Ministry of Culture, Sports and Tourism

Organized by Korea Arts Management Service

Curated and operated by Hzone


Artistic Director: Lee Daehyung

Curator: Kim In Young, Lee Hyeon Jung, Shim Jaeho, Yang Geunbae

Graphic Design: sarok



DIALOGUE: Unread is the sixth edition of the Grant for Artist Management Program organized by the Korea Arts Management Service. Featuring ten contemporary Korean artists, the exhibition unfolds in a time shaped by the real-time production of images and the demand for instant response, where sensation and emotion are permitted to exist only when legible. Departing from this logic, ‘Unread’ attends to suspended affect, scattered sensory signals, and emotions that remain unspoken or unnamed. The exhibition proposes a sensory terrain where affect condenses outside of language, where erased feelings re-emerge, and where signals move beyond human-centered frameworks.Through painting, installation, sculpture, and time-based media, the artists act not only as receivers but as transmitters, tracing what has arrived yet remains unconfirmed. Unread unfolds as a strategy of transmission that resists closure and reclaims the conditions of perception itself. And the condition for receiving this transmission remains unread.